Navy and gold. That's the system. Green lives only inside the illustrated icons — it's heritage, not UI. Everything else runs on two colors and white.
Navy ground, white type, gold accent. Confident. Used for hero sections, headers, key moments.
Gold ground, navy type. Warm, energetic. Used for CTAs, highlights, secondary panels.
Libre Franklin commands the headline — big, uppercase, unapologetic. Vicky Black drops to accent role — small, warm, the handwritten signature. Space Mono holds the grid. Archivo reads with weight.
The hierarchy is flipped: Libre Franklin commands the headline in uppercase. Vicky Black whispers the accent line beneath. Mono holds the metadata. Archivo carries the explanation.
60+ winemakers. Workshops. Oyster bar. Food court. Mini market. One ticket, full access from 13.00 to 22.00.
The church icon and illustrated set keep their original three-color palette. They're the one place green lives. In the UI, everything else is navy and gold.
Libre Franklin at display size in uppercase. The headline hits before you read it. Vicky Black steps back to accent — the warm whisper after the shout.
Space Mono structures everything Vicky doesn't. Dates, labels, navigation, metadata. It's the skeleton. Uppercase, tracked, small. Never at display size.
Gold marks the payoff word in a headline, the CTA bar, the accent that pulls focus. Maximum one per composition. If two things are gold, neither is special.
The illustrated icons keep their three-color DNA — navy, gold, green. But in the UI, typography, and layout: green does not exist. Two colors only.
Vicky Black lives small now — the handwritten line beneath the big sans headline. It's the human touch, the warmth. Like signing a poster by hand.
natural wine festival a'dam
all day oysters and paired wines
ticket sales have started
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Documentary photography at full saturation. The warmth of the photos balances the structural precision of the typography. Text never floats on images — always on solid navy or gold bars.